Selected by Nicole Moserle and Bjarne Melgaard
Baton Sinister, a Norwegian project at 54th Venice Biennial

The wallpaper coating the entire room, reveals, to the onlookers, a fantasy world where Monet’s characters live harmoniously with the space that surrounds them. Here shapes and lines are well defined; they deeply involve the viewers, creating a tighter relationship between reality and the dream dimension. The artist’s illustrations are made entirely through vector technique: a means of illustration that gives high-definition quality to an image. The quality is preserved even in the event of large scale printing.